A Brain Full of Stories

@Danielw I was thinking the passages work sheets are great for folks with all of these ideas at once.

I tend to focus on one project at a time. When I get new ideas, I make a note of them and then go back to the project I’m working on. As to your second question, I do get those moments.

I’m also constantly surprised and (mostly) delighted by the turns my stories take seemingly without my direction!

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I have a brain full of stories. I like to have a few projects going at a time. That way, when I get stuck on one project, I just switch to another. Working on another project helps me get unstuck from the first project. I also have numerous notes on story ideas that I try combining in different ways.

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Welcome ReLane,

It’s great to have you here!

Have you seen @Danielw worksheet called “Passages” from the PPN+ course?

It works in harmony with what you are describing.
It is so cool that you do this naturally, just BRILLIANT!

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I always start out working on a few different projects at the same time but inevitably I’ll get really focused on one project over the others and they’ll fall by the wayside. If I get new ideas I’ll add them to my notes app but I usually end up focusing on the one project until it’s done.

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I envy your focus! I am the shiny object queen.

Just say “squirrel!” Hahaha!!!

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  1. A ‘one book challenge’ turned into a series of three, plus a spinoff fourth that might become another series. They are all WIP interleaved at different stages. That’s just the major project. There’s radio scripts and novel outlines been rattling around in my head for 25 years.

  2. Constantly. Characters arrive in scenes and it’s ‘hello, who are you? What role are you auditioning for? Okay, you’re cast.’
    It gets crowded in my head sometimes, like a party full of uninvited but interesting guests. And as I’m writing fantasy, some of them are difficult to throw out.

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I bet you get asked a lot,
“Where did you go? You just zoned out on me.” or “You’re not even listening , just staring off into space!”

Folks have no idea that you are listening, it’s simply not to them but the cast performing in your head and THEY are being rudely interrupted!

The struggle is real!

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My characters are shy in that they only come out when other (real) people aren’t around. Then they get quite demanding.

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Love this thread between @DeAnna and yourself @rtcatling, and I think instigated by our new colleague @ReLane (welcome).

I guess it’s me who is the one who zones out for a while, not just during conversations as something occurs to my characters or in my plot, but for several weeks at a time when ‘real life’ gets in the way.
Inside-my-head-life can be so much more captivating at times. :wink:

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When you read back a passage of dialog and find yourself remonstrating with the characters: “can you people try to express yourselves better!?”

That.

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I’m completely with you on this one! Sometimes I feel I haven’t heard a thing the non-fiction folk in my life have been saying for entire moon phases.

They notice that blank stare and they don’t like it, AND they feel the need to express that sentiment, too. It’s all very distracting.

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Right now I am 90 pages into my first novel. I am also trying to get more short story ideas going because I am working on an independent zine with a friend, but it’s been a challenge trying to juggle it all!

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@RiffRandall, I’m guessing you’ve just closed Act 1/written the inciting point and starting into the “messy middle”. Commiserations, difficult territory. Have you got a rough idea or detailed plan of where you’re heading? Try to work back from there to figure out how to make your story/protagonist get to the end and what’s going to make the road bumpy to get there. That helps me figure out the middle.

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Isn’t that the truth! The juggling of ideas, writing time and commitments. There are times when I’m certainly n and year circus music in the background of life in that 3 ring circus ( giggling at myself here). Do you ever feel like life’s moments need a theme song? What would yours be? Mine is definitely full of carnival tunes and words like menagerie, spectacle, 3-ring, and death-defying-feats! Hahahaha!

This is a great method, @Kas, Sometimes working back to front can be easier to put steps together.

If it’s ok to add to what @kas is saying, I find when I get stuck or just unsure where to go next in the story, I will write about a basic, daily human task for my character.

Like taking a shower, eating, doing laundry. What kind of shower for example, hot or cold depends on what else is happening.

Say the protagonist needs a cold shower due to intense chemistry with the wrong person, or the right person, but it is unrequited sexual attraction.

Maybe a hot steamy moment with the right person is FINALLY happening, but it was interrupted before it could come to fruition. (Of course that drags out the tension even more for the reader).

Maybe the character was up all night working a case and has to be in court in 30 mins with no time to sleep (or drinking all night and needs to sober up).

You can definitely get the idea here. The options are endless, motivation for action in the mundane daily chores of life, spurs on the next/previous scene. Propelled by the “why” of it all.

That type of prompt for my characters always gets the actively writing, ball rolling again.

(I have noticed that some of my favorite writers use a similar method to make characters feel real and relateable.)

Kathy Reich, for example does this with her Temperance Brennan (forensic anthropologist, tv show “Bones” was based on) novels.

She separates events in her books with, eat+shower+sleep/no sleep (love interest canoodling or difficult problem that’s keeping her up).

Now i don’t know if it’s simply filler, but she uses these moments to Segway into the next scene. By giving the character a place to receive the next, clue/instruction/revelation/achievement/setback or other inciting incident.

You get the idea.

Ok, I’m just rambling now (too much caffeine).

I do REALLY hope this formula gives inspiration for un-stuck-ness in the messy middle. (Courtesy of Kathy Reich’s fine example) like it did for me. It was a breakthrough “Ah-ha” moment in my writer’s journey that I’ve been meaning to share with the group.

Cheers!

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No, I haven’t seen it.

Oh, there’s nothing to see.

I just mentioned that they made a tv show loosely inspired by her books.

With the main character, Temperance Brennan forensic anthropologist at its core.

Just incase folks had not heard of the books Kathy Reich wrote. They might have heard of the show.

No worries.
Thank you again for being here.

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I love this concept. I’m tucking it into my brain for future use. Thanks @DeAnna

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Agreed, I’ll have to remember this too. Thanks @DeAnna. :slight_smile:

I haven’t read the Reich’s Books, but stayed with Bones through its’ TV comedy-mystery run.

One thing irritated me though; the writers made Brennan an uber-genius polymath with behavioral issues on an Autism/Aspergers spectrum, so she had no tact, no filter and little understanding of social norms. Her frequent gaffs were the source of half the comedy in the show. And yet… Brennan was supposedly this best-selling novelist. How!!! Nobody with that little insight into human behavior would sell a single book in the real world. Or was bestie Angela in fact ghost-writing all the non-forensics parts of her books? :wink:

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